ELISION

One may OPTIONALLY (never obligation), and SO LONG AS THIS DOES NOT INTERFERE WITH EUPHONY AND CLARITY, elide following words:

1) the article lo before a word beginning with a vowel:

l’abro, l’abros the tree, the trees
l’eldo, l’eldinos the hero, the heroines
l’aventuros d’Artur Arthur’s adventures

2) the preposition de and the word ke (pronoun or conjunction), and also the object pronoun, before a word beginning with a vowel:

l’aventur d’et boy this boy’s adventure
l’orelos d’un asno an ass’s ears
l’okos d’un fem k’il vidir the eyes of a woman he saw
m’amar tu as mi t’amar? do you love me as I love you?
il dicar k’il t’amar he says that he loves you

3) the two-syllable (one syllable after elision) or at most three-syllable (two syllables after elision) ADJECTIVE, when this PRECEDES the noun to which it relates, NEVER WHEN IT FOLLOWS IT:

et(a) dom this house
yen(a) floros those flowers
nus(a) let(a) kamos nice little rooms
un gran(a) bel(a) klezo a big beautiful church
mi ricir ta gentil(a) brif I received your kind letter
let(a) domos e klezos grana small houses and large churches

4) the ending o of the NOUN, but ONLY IN THE SINGULAR. The plural’s designation os MAY NEVER BE ELIDED (see “NOUN”)

5) the ending at of the past participle, when used as a noun suffixed with in (feminine):

l’akuzat; l’akuzin the accused (m; f)
ma libat; ma libin the beloved (m; f)
ma benamat; ma benamin my much beloved (m; f)

6) the suffix er and other suffixes, to reduce the length of a few feminine nouns (cf. 5, above):

biblioteker; bibliotekin librarian (m; f)
matematist; matematin mathematician (m; f)
korespondent; korespondin correspondent (m; f)

7) in poetry, any word may be elided, when this is suggested by the rhythm or by the musicality of the verse. The poet is of course granted extra freedom in this matter, as his muse may suggest to him.